![]() You can get the amp to break up at higher volume, but rely on pedals for overdriven tones. The 6L6 tubes give the amp a bit more fullness. We may consider 420v or so to be the high end of the range and 290v as per the MMB to be the low end of the range. I’ve tried the case with quite a few different guitars, and here’s the story: Fits: Fender Mustang Fender DuoSonic Fender MusicMaster Fender USA Bullet(1981-1983. If you’ve been looking for the correct period case for your 60s Fender. Without any effects the amp plays very clean with plenty of headroom. The supply voltage in Champs and Vibro Champs is typically over 400v, way off the 6V6 data sheet but typical of '60s Fender 6V6 amps. Fit: The interior of the case measures exactly 39.25 long by 12.25 wide. A Catalinbread sticker has been applied to the front near the speaker. This Itemis in Good Condition.The grill cloth is missing. If playing guitar, the deep switch is recommended. Vintage 1970 Fender Musicmaster Bass Amp 1x12' 12w Tube Combo 051921 For Sale Vintage 1970 Fender Musicmaster Bass Amp 1x12' 12w Tube Combo 051921: 449.99. I rarely use the Bass Instrument side of the amp. They had an aluminium scratchplate that was painted black. The amp compresses slightly when you up the volume. The first production run of Musicmasters Fender did was in April 1956, and they’re extremely rare. I use the normal channel set in the bright position, then dial in bass and treble based on the space and guitar in use. I generally run the amp volume set between 3 to 4, and that is loud. I use a pedalboard loaded with various overdrives, and other tone shaping pedals. My guitars are a Fender Strat and Telecaster, a Washburn semi hollow body, and a Gibson Les Paul Standard. So, how does it sound? In a word, awesome. I placed a review on Weber’s website, which you can see here: I selected these speakers because they bring out more of the high end with an amp that tends to be full in the low end. The speakers have ceramic magnets and rated at 50 watts. ![]() I paired the amp with an open-back Silvertone 2 X 12 cabinet loaded with Weber 12F150’s with a 4 ohm output. The preamp tubes were replaced with old stock RCA grayplate 12AX7A’s and an RCA blackplate 12AT7 for the phase inverter. He subsequently modified/upgraded it to the AA864 circuit, common in earlier blackface versions. My amp tech stated the original circuit had been modified, and not in a good way. ![]() Here is some background information about my ’68 Drip Edge Bassman 50. Fender Silverface Bassman (Super, 100, 135) →.Bassmans produced between late 19 have a black control panel and silver sparkle grill cloth. Fender switched back to the blackface era cosmetics some time in 1980. Model: Oxford 12T6, Utah, Rola or JBL D140 8ohm (For more info, check out the Jensen Replacement Speakers)īassman ~ 1968-1971, Bassman 50 ~ 1972-1976, Bassman 70 ~ 1977-1983.Logo: Grill mounted, raised, chrome & black script Blue sparkle grill cloth without Aluminum frame ~ 1970-1979.Blue sparkle grill cloth with Aluminum frame ~ 1968-1969.Handle: Black strap handle with Chrome ends x3.Rear: AC Outlet, Ground Sw, Fuse (2A), Power Sw, Standby Sw, Speaker Jack, Ex.Front: Bass: In, In, Deep Sw, Vol, Treb, Bass – Normal: In, In, Bright Sw, Vol, Treb, Bass – Pilot Lamp.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |